 Offices seem like incredibly dull places, especially when young (O). However offices are in fact more akin to laboratories or theatre companies than previously realised. E.g (method x experimentation x previous results = current performance and participant audience experience)
The level of intensity is directly correlated to the amount one chooses to care (I{c}). The level of human drama is pinned to ones current social sensitivity and depth of understanding of the (similarly couped) adults in place (HD{ss x du}). In this way echoing school or even a farm or zoo. The level of frustration (F) has to be partly tied to expectation and the gap (E {g}) between here and performance displayed (D) multiplied by the actual amount of technical nouse had for the substance of the 'work' being undertaken and thus ability to observe and appreciate the quality therein (P x TN). This would be to a factor of the wider social impact (or potential profit to be generated) S (or P). Profit is not necessarily remunerative and can take other forms. Lastly the factor of massive pervasive surreality (M) is solely determined by a straight combination of personal life experience preceding said office, quantity of sleep and or food recently taken on and measure of proprioceptive horror (ph) induced by office environment usually determined by factors such as florescent lighting, metallic plastic decor and slumped semi soporific or else mildly militaristic workers, notable levels of heat and sound generated by machinery, unquantifiable and indeterminate levels of unspecified malign thoughts that have collected in the poor and strained air conditioning not to mention the surprisingly diverse cultures of bacteria that are thriving in multiple and numerous often unexpected locations throughout the building. Or (O) (I{c}) (HD {ss x du}) (F (E {g}) (D x TN) S (or P)) (Mph) Study undertaken 2001-2010 by the Winkerbeen Appreciation Society (WAS) of Greater London with no permission kind or otherwise.    The assignment was to design an original version of any character from Alice in Wonderland hence the endless rabbits of late. I came up with this guy (John) as the White Rabbit and today I finished modeling him so it seemed only fair to give him his photo opportunity.
No modeling today more hibernation. No nightgown but a sleeping bunny no less.  |
The Authorwishes she too could hijack other peoples voices in order to better tell you how awesome she is 
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